Most Strongly SupportedDiff: Hard
Logic Breakdown
Passage Summary: Still-life painting is the best way for artists to express themselves because they have total control over what they are painting and where everything goes.
Reasoning: Still-life artists have more control over their subjects and compositions than landscape or portrait artists because they choose and arrange the objects themselves.
Analysis: This stimulus sets up a proportional relationship: the more control an artist has over the arrangement of their subject matter, the better the genre facilitates self-expression. Since still-life artists have the most control, they have the greatest opportunity for self-expression. When looking for the most strongly supported statement, seek an option that reinforces this link between creative control and the ability to express one's internal reality. It is a classic LSAT move to reward the inference that 'control' is the key ingredient for 'expression' in this context.
Reasoning: Still-life artists have more control over their subjects and compositions than landscape or portrait artists because they choose and arrange the objects themselves.
Analysis: This stimulus sets up a proportional relationship: the more control an artist has over the arrangement of their subject matter, the better the genre facilitates self-expression. Since still-life artists have the most control, they have the greatest opportunity for self-expression. When looking for the most strongly supported statement, seek an option that reinforces this link between creative control and the ability to express one's internal reality. It is a classic LSAT move to reward the inference that 'control' is the key ingredient for 'expression' in this context.
Passage Stimulus
Passage Redacted
Unlock Full Passage13.Which one of the following is most strongly supported by the art historian's statements?
Correct Answer
D
D is supported. If in still life the artist invariably chooses/modifies/arranges the objects and therefore has considerably more control than in landscapes or portraits, it follows that in those other representational genres the artist does not always choose/modify/arrange the objects.
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