Necessary AssumptionDiff: Easy
Logic Breakdown
Passage Summary: A critic argues that for a book to be great, readers need to get lost in the story; since switching perspectives makes readers think about the author, it hurts the book's quality.
Conclusion: Changing the narrator's perspective in a book reduces its quality because it makes readers think about the writer.
Reasoning: Top-tier novels require readers to be emotionally immersed in the story's world, but switching points of view tends to distract readers by making them notice the author instead.
Analysis: The critic assumes a direct conflict between focusing on the author and being emotionally engaged with the story's world. If a reader can focus on the author and still be emotionally engaged, the argument falls apart. Look for an answer that bridges this gap by suggesting that focusing on the author prevents or reduces emotional engagement. This is a classic 'missing link' assumption where the author introduces a new term in the premise to support a conclusion about a different term.
Conclusion: Changing the narrator's perspective in a book reduces its quality because it makes readers think about the writer.
Reasoning: Top-tier novels require readers to be emotionally immersed in the story's world, but switching points of view tends to distract readers by making them notice the author instead.
Analysis: The critic assumes a direct conflict between focusing on the author and being emotionally engaged with the story's world. If a reader can focus on the author and still be emotionally engaged, the argument falls apart. Look for an answer that bridges this gap by suggesting that focusing on the author prevents or reduces emotional engagement. This is a classic 'missing link' assumption where the author introduces a new term in the premise to support a conclusion about a different term.
Passage Stimulus
Passage Redacted
Unlock Full Passage12.Which one of the following is an assumption necessary for the critic's conclusion to be properly drawn?
Correct Answer
C
C supplies the needed link: if most readers focus on the author, they cannot become emotionally engaged with the imaginary world. Negation test: if it’s false—i.e., most readers can still become emotionally engaged even when focusing on the author—then shifts in point of view wouldn’t block engagement, so they wouldn’t detract from merit. The argument collapses, showing C is necessary.
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