Logic Breakdown

Passage Summary: A curator thinks the red paint on a famous painting was added much later by a different artist, but a critic notes that a copy made right after the artist died already featured that same red color.

Reasoning: A copy made shortly after the artist's death shows a red cloak, and copyists typically don't change major details so soon.

Analysis: We need to see what these two facts imply when joined together. If the copy was red almost immediately after Veronese died, and copyists are generally faithful to the original, it suggests the red paint was likely there during Veronese's lifetime. This directly challenges the curator's claim that a later artist tampered with it long after completion. Look for an answer choice that suggests the red paint was applied by Veronese himself or someone in his workshop.

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10.

The art critic's response to the curator would provide the strongest support for which one of the following conclusions?

Correct Answer
C
If a near-contemporary copy shows the cloak as red and a copyist likely would not make such a major change, then the original at the end of Veronese’s life was likely red; therefore, restoring the cloak to green would fail to restore its end-of-lifetime appearance.
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